Monday, January 24, 2000 Issue 512
First Published May 5, 1949 The Newspaper of the LSESU Executive Editor: Daniel Lewis E-mail; d.iewis@lse.ac.uk
Brand new phones, same old moans
Sib Hayer and Nishika Patel
Fears are escalating that Campus Link, the new telephone provider to LSE halls, are turning out to be as bad as their notorious predecessors Student Line.
Incompetent, disorganised, expensive: these are just some of the words to describe Student Line. It was very unpopular with the students and the company received many complaints. Those lucky enough to receive a reply were usually astounded by its complete lack of compassion. Voicemail did not function properly, bills were delivered late, double billing often occurred profusely, personal details were divulged to other parties and the list goes on. Thankfully, Student Line liquidated on 18th October 1999 and its assets were sold to Campus Link, which took over on 19th October 1999.
Hopes and expectations were high when Campus Link was introduced, believing it would
resolve the problems mentioned. It seems that for the first two months. Campus Link succeeded in satisfying its customers. But the 'honeymoon' period ended on 11th January 2000 when the telephone systems of Rosebery, Silver Walk and Butler's Wharf crashed - no external calls could be made. Was this a sign of the Millennium bug, or merely a return to the dark days of Student Line?
Students have complained of late bills, receiving other people's bills and being charged too much. Many LSE Students were angry about this when asked - one student was so 'vocal' about Campus Link's performance, he attracted a rather unhealthy attention on Houghton Street when questioned: "The phone system is
******* ******* **** II
complete
Anita Boyadjian, current resident of High Holborn, complains that Campus Link is not even Y2K compliant: "Instead of saying 2000 the voicemail thinks it's 1900!"
Sumit Saigal, outgoing president of High Holborn, said "I
NVOICE
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"Hello?" "Hello Son! I'm so proud of you - you got an 'ology!"
am not even going to register with Campus Link as a protest." Saigal claims there is a much needed change in policy. Campus Link have announced that they are going to drop the previous £5
minimum charge rate. However, seeing as Student Line had already promised to do that (after much protest, especially from Jon Black and Becky Little), the lack of support for the new firm is
Pic; Mark Simpson
unsurprising.
On the 13th January Jo Swinson, President of Butler's Wharf went to Milton Keynes.....
Continued on page two
Trial of Houghton Street troublemaker is adjourned
Extreme politics turned nasty at Fresher's Fayre last year
Eve Parish
The trial of the man arrested outside the Freshers Fayre 1999 was due to start last week - but was later adjourned. Uzmar AM, not a student here, was appearing at Horseferry Road magistrates'court
last Monday for his part in the fracas at the beginning of last term, in which it is alleged a female police officer was assaulted.
On September 30th 1999, Ali had been part of an unauthorised stall in Houghton Street. He is alleged to have links with the
Pic: Archive
Islamic political organisation, Al-Muhajiroun, an extreme group who have claimed to be "The voice, the eyes and the ears of the Muslims", and actively work for the creation of an Islamic state. The stall, which displayed a sign bearing the word "Jihad", meaning holy war, and
anti-Semitic pamphlets caused complaints to be made to SU staff. Police were called, and in the attempt to remove the stall a scuffle broke out. Ali was then arrested and remanded on unconditional bail.
Monday's trial, set to last for the morning, was adjourned due to an application made by All's solicitor, Mr. Rudolf. He claimed that Mr. Ali could not be tried that day because their defence witness had not turned up. Furthermore, the existence of a video of the incident shot by the LSE, plus photographs featured in The Beaver had only been brought to his attention recently, and he asked for 14 days to get hold of them. Rudolf also revealed that a list of names and addresses from the Houghton Street stall had been lost, appearing neither in the police's inventory of objects from the scene, or when the papers from the stall were returned to Ali after his release. Since this list potentially contains important witnesses for All's defence, his solicitor again asked that he be
given time to recover it.
The prosecution argued that it was fair to proceed, since Mr. All's defence had had plenty of time since September 30th to get witnesses, photographs, video and papers. The witnesses for the prosecution numbered five police officers, and the LSE's house manager, Bernie Taffs, all of whom were present. Of the police witnesses, one female was the subject of the alleged assault.
The magistrate agreed that the defence had had "ample" time to get the video and photographs of the incident, and that they had enough evidence to hear the case, despite the mysterious disappearance of the list of witnesses. However, in granting the adjournment she gave the defence the time to get the video and photographs, because they may prove to be decisive evidence. The trial Is rescheduled to take place on the 6th March.
HALLS INTO THE FUTURE - P2
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News
TheBeaver
Issue 512 - January 24th 2000
2
INSIDE
FEATURES
Glenda Jackson's Girl Power; Lebanese New Year;
Terrorism rages on
SPORT
Can the firsts turn it around?
UNION
John Black on the Cubie report
CampusLink -on the blink?
MUSIC
Primal Instincts; Inhale -do they?
FILM
American Beauty
STYLE
Tola and Shailini glass Bart
THEATRE
LSESU Drama's The Representative
LITERARY
Pratchett on paperback
CLUBBING
Whats going up and down and round and round
Continued from page one
...to speak to Chief Executive, Gary O'Brien and Customer Services Manager, Andrea Faber to explain the inconvenience and anger this problem had produced. It seems that they were witnessing Student Line part 2.
Gary O'Brien and Andrea Faber said that external calls could not be made due to legal problems, not technical reasons. David Segal also says, "Campus Link were not themselves responsible for last weeks line failures - it was the provider". As a result the line was working by 15th January. Further, Campus Link said they were addressing the problems. "Three of the worst performing voicemail systems have been changed, so far without any problems", said Andrea Faber. She also said, "customer service and communication will be improved". Is there some light at the end of the tunnel or are these empty words?
Campus Link is compensating students for inconveniences created by the failure to provide services. There will be 20% discount for January's bills. Jo Swinson says this "is to be welcomed - that's something Student Line would never have done". However, Jo Swinson says "alternatives should certainly be looked at - Campus Link's prices, particularly for international calls.
............ .
[i0?,s --
Oh Dear, I knew I shouldn't have
are horrific". As the London School of Economics we should realise that monopoly is bad and does not promote good customer service.
The message from many on Hall Committees is, students of the halls unite: 'Don't sign up!'. Saigal and others are also urging LSE not to sign a new contract with Campus Link. There are other options being considered instead:
spent so much on 0891 numbers.
students could have an AT&T line connected, and the exciting possibility of a deal with a mobile phone company to give each student a mobile (like nobody has one) is being mooted. Don't hold your breath though: it looks like this issue will not be resolved immediately.
Student telephone providers are notorious throughout the country, with problems reported at
Pic: IVIark Simpson
many universities. In an age of digital TV and global communications, this seems a farcical state of affairs.
For the moment, however, given Campus Link's tragic failure in their first few months, there is one question that remains to be asked: will Campus Link be any better than the Student Line fiasco?
Wired@Passfield.com
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Now you can check your e-mail even more! Joy!
ID
Work on the data point :
t>, due to start on 17'" January • ^ aroiHid initiallv the work will be risers in the corridor areas and ibe basemen
Yoii will kept infonncd we shall endeavour to lei yiHi knov\ wbt., workmen will need to enter each Hat attU ultimately each room.
,;th thic crnnA news hriflgs adde^
Nishika Patel
The Internet has revolutionised the world, now LSE halls become part of this 'web fever'.
With the Internet connected already in High Holborn, Bankside, Carr Saunders and Great Dover Street halls, the campaign goes on to extend this technological innovation to all halls. The Student Union's campaign has been running for a year. Butler's Wharf
formulated a petition to send to the Inter-halls committee for consideration.
With support from the UGM, the Student Union has had great success. At the start of January the Secretary of LSE, Christine Challice said that finance for such a venture had been found. Subsequently, Carr Saunders gained Internet access last summer. Butler's Wharf and Rosebery will follow on 24th March
and Passfield this summer.
Head of IT Services, David Dalby expressed the huge achievement of the project, "I am extremely pleased that LSE will be one of the first Universities in the country to have all study bedrooms in its major Halls of Residence cabled for direct connection to the University network and Internet."
Students will reap numerous benefits; Jo Swinson, President of Butler's Wharf comments, "It's
Pic: Neha Unia
fantastic news - all students will benefit by less congested public computer rooms at LSE and in Halls. And students will save money on costly Internet charges as well as being able to access their H space and useful research tools from home". By next summer every student at halls will be able to access the Internet and partake in this worldwide phenomena.
-News
r/7eBeaver
Issue 512 - January 24th 2000 3
Class sizes at LSE approach critical mass
Gareth Palmer
P
ositive news for all those students suffering in enormous classes. The working group of the Teaching Quality Assurance Committee has finished its report on the subject, and matters are proceeding well, according to ed and welfare sab Becky Little. She told the Beaver "It is a really difficult situation to deal with, but the School is genuinely trying to do something about it. The problem is that, given the constraints of resources and money, this will not be easy to solve."
The problem of overly large classes began to concern the School last year, with some classes way in excess of the maximum of 15 students. This was a particular problem for students on the larger economics and accounting courses. Accounting and Finance student Manik Saha said "I have had big classes over the years, and they really are not fun. With so many people involved, its hard to get any personal attention, which just means you have to waste time going to office hours, which teachers often donit turn up to."
Officially, there are now no classes with more than 15 students on the register, and the average class size has declined over the
I
You wouldn't find this at Oxford
last year, but the situation still needs attention. A number of plans have been put forward to try and improve matters, but many of these suggestions are controversial, both for students and academics.
Rejected outright have been plans to extend the school day, with classes being held both earlier in the morning or later at night. The likelihood of people turning up for an 8 o'clock class, either AM or PM, is seen as slim. Also down the pan go moves to introduce Saturday teaching, due to it being the Jewish Sabbath. The idea of a radical rethink of the whole structure of teaching, with more emphasis on seminars rather than the standard weekly lecture and
class pattern proved equally unpopular. Opposition to this came mainly from academics, who felt that any further reduction in contact time with students was unacceptable.
The main preoccupation of the School throughout has been to ensure that there is no decline in academic standards, and this presents a major problem. The obvious solution would be to increase the number of teachers working for the school, allowing more class groups to be run. The problem with this stems back to the perennial issue of money. Teachers only get paid £20 per class, and to recruit teachers of the same academic standard, the School is having to look further
The importance of what we stride on
Matthias W. Benzer
Students at LSE's Carr-Saunders Hall were fairly surprised when they found out that 'their' lively basement-bar - a snug 'British-style' pub - had changed its countenance over Christmas. The old carpet was replaced with new shiny wooden parquet making the formerly dark but romantic pub a lighter, more modern, but -according to some customers' opinion - a very controversial one. Furthermore the cosy sofas were taken away and so far it has been difficult to spot a corresponding substitute, where students can lourige on after a day of hard work.
fne Beaver spoke to Azzedine 'Dino' Fetnacci, Bursar of the W1-students' hall, who had taken the decision in agreement with the Warden and the Bar-Managers. According to him the old floor had to be replaced because it was too dirty. "Wood will not be as dirty and smelly as carpet, and day-to-day cleaning will be so much easier." Besides the fact that a new carpet floor would have been the same price and linoleum was out of the question because of its absolutely nasty look. Parquet has -
according to the Bursar - a longer lifetime, whereas a new carpet perhaps would have had to be changed after five years. Thus it can be seen as a long-term solution which is both, practical and economic.
When asked if he liked the floor, Alex Glascott, first-year student at 'Saunders' answered: "The bar has lost its atmosphere; it doesn't look like a traditional English pub anymore." Other students prefer new wooden parquet to the old carpet. Ian Nixon, second-year student and frequent visitor of the questioned institution mentioned that the floor was lovely but that it did not quite fit the surroundings. However, the actions taken showed - according to Nixon - "a willingness to progress" and were therefore legitimate. Students from both sides agreed on the fact that further innovations were necessary to complete what had beeri begun, which meant that first of all the tables and chairs from the canteen - that could only be accepted as a temporary solution - had to be replaced.
Mr. Fetnacci affirmed that there were plans to make the bar more
Pic: Neha Unia
afield. The cost of travel to London often far outweighs the pay teachers are getting, and this is a major deterrent. Yet, there is no more money available.
Ideas still in the pipeline include tighter controls on transfers between classes and making it harder to change courses late in the autumn term. However, even these are not seen as perfect, given the need to accommodate student choice.
Undoubtedly, this is a major issue and is being given serious thought by the School, a fact that is recognised by the Union. But, given the constraints of resources, it is not going to be easy to solve and this issue will continue to rumble on.
modern - step by step. The well missed benches that were taken out are still Carr-Saunders property and it will soon be decided whether they shall be refurbished or replaced. Says 'Dino'; "In the end it depends on the price because we've got a limited budget." Which leads us to the actual expenditure, almost £ 4.500, one of the reasons why further improvement is now no longer possible.
It was very difficult to get a significant number of opinions for this article, since only those students actually visiting the bar were asked. The first Saturday after Christmas there were no more than 12 people in the pub. Students who feel estranged from their social environment should think again and ask themselves if the ambience Is not strongly dependent on their own presence from time to time. The Bar-Managers, the social secretaries, let alone those people who work at Carr Saunders and develop ideas how to improve the social environment are doing a rather good job. Some students' extravagant tastes can surely not be met, but the beer tastes fantastic down there and the
Union Jack
people are extraordinarily friendly, so why do we not raise our glasses and focus on more important things than what we stride on?
I'll floor ya Pic: Mark Simpson
OK, I take It all back - the UGM is a force for justice and truth, and an example of democracy in action. This week it confirmed, after scenes reminiscent of the Battle of Agincourt, what Jack suspected all along, namely that people who live in Holborn or Butler's Wharf are rich, smelly greedy fuckers. La Swinson had the temerity to demand compensation because there is a building site next to Butlers. Surely it can't be making more noise than her. If the Council are working on the road outside your house, they don't give you fucking compensation. It's called living in society, in the real world. Fuck off to Goldman Sachs the lot of you.
Aside from the issue itself, the constitutional wrangling the close voting produced was enough to excite many hacks to the point of masturbation. Jon Black (Henry the Fifth) conducted himself with dignity, soundbites etc. Peter Bellini (Edmund the Bastard) cut an increasingly lonely and bitter figure, and had a suitably medieval haircut. Jo Swtnson (the Scots and thus, if you know yer history, technically the French) provided the love interest, whining etc. Oscar Kent (first murderer) and MC Blackwell (court jester) tightened the screws and after lots of alarums, exeunt chased by Fat Bob etc, the forces of light prevailed. Hurrah.
All the theatricals drew attention away from Jon Black's assault on insomnia,- i.e. the breeze-block that is the constitutional review. Jack couldn't be arsed to read all the stuff about drainage committees, so he now presents his own constitutional changes;
i) Sabb reports will be based on a mixture of Just a Minute and Celebrity Death Match - if Alan repeats the words fair play or Jonathan hesitates when challenged on matters 0 and S, they will be forced to tag-team wrestle the great and the good. Vanessa Feltz is interested, as is Alan Titchmarch.
ii) C and 8 to be replaced by a second-hand sofa, a squirrel and Michael Blackwell with and Abacus and a biro (tell me you'd notice).
ill) Delete Points 1.1. to 13,9 and replace with 'My name's Jon Black. I do everything, me. Yes, me. You will obey. You are feeling sleepy, sleepy. Repeat after me...l do not have the same hairdresser as Narius. I do not...'
iv) Fat Bob and Dan Lewis to do the truffle shuffle if anyone speaks for more than two minutes.
v) Everyone to have a whip-round to get Michael Blackwell a quid so he can use the Tube and not get out of breath walking from Euston to King's Cross.
Piece of piss, as Shakespeare would probably put it after a night in theTuns.
I
TfteBeaver
Issue 512 - January 24th 2000 4
WORD UP
WITH IAN CURRY, NEWS EDITOR
Tent of Dreams or Dome Alone The Beaver looks at Blair's play pen
Nick Wogan Econ with Econ History
I think that it is a good idea that has gone wrong. It has been poorly executed. I can't see how what has been produced is worth £750m. Out of curiosity I would visit it, but I don't think I would make all the effort of a journey into London just to see it, if I lived outside. For Britain's sake I hope they will be able to turn it around.
Dan Lewis Economics
I think it was a hidious waste of money just to have a bunch of gormless tourists staring at a load of pointless crap. We could have built a subsidised EuroDisney, but at least I guess we have our politicians to act as the Mickey Mouse characters.
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LITERARY
BLACK AAAGIC WOAAAN
TOLA SOLEYE reviews l,TITUBIA by Mary Conde, a novel about being a black witch during the Salem Witch Hunt.
This is a fictional account of the life and times of Tituba, the West Indian slave who was only given a cursory mention by the historians documenting the ' Witches of Salem' saga. The novel attempts to examine 'the bigotries and hypocrisies of Puritan New England' by providing a voice for the neglected black witch. Maryse Conde recreates 17th century life and provides a penetrating insight into the societal Issues which remain prevalent
It's not amazins but it'll do for an afternoon of cultural or spiritual self-improvement
to this day. Anti-Semitism is alive and kicking and along with the witches, we see the persecution of Jews often painfully highlighted. Tituba's subjugation and abuse is graphically detailed but there is often a slightly unrealistic detachment from the experiences. This may be in part due to the somewhat stilted prose that often results from a less than Ideal or accurate translation from French to English.
The novel charts Tituba's journey from slavery in Barbados to persecution in Salem but fails to fully incorporate the history, as we know it. Tituba's perspective is realistically portrayed but the sense of 'completeness' is lacking which is a characteristic problem of prequels (see Wide Sargasso Sea that attempted to do the same for 'Jane Eyre'). That said, for a relatively
comprehensive account of life as a slave, African witchcraft and the African slave mentality, this book hits the spot. I was anxious to review the novel but finished it with a mild feeling of disappointment. It failed to deliver what It promised. The blurb described a novel capable of transcending boundaries but I feel that very few boundaries were crossed let alone transcended. It is however particularly relevant right now with ' The Crucible' being put on by The Drama Society. It's not amazing but it'll do for an afternoon of cultural or spiritual self-improvement and covers and area of history often left In unresearched or underpublicised.
I, TITUBA by Maryse Conde is available In paperback published by Faber & Faber RRP £7.99
POST MODERN PRAT
ALEX KRANZ reviews the latest Discworld novel to come to paperback. CARPE JUGULUM by Terry Pratchett.
NEPAL COMPETITION
RACHNA UPPAL travels to Nepal with Footprint Handbook on Nepal by Tom Woodhatch
Terry Pratchett's Discworld novels balance three narrative agendas that ought to be incompatible. They are first and fundamentally legitimate fantasy adventures, playing wide casts of characters and multiple plotlines against each In exciting conflicts that involve a lot of running around and casting of magical spells. But they are secondly a very bemused and Irreverent send-up of the fantasy genre, libertine enough in their jadedness as to mock the fantasy conventions that have gone before without
apparent concern that they might leave the genre worn out and its limits exposed. And they are thirdly a cheerful canvas for Pratchett's satirical musings on the contemporary foibles of the real world, which find their way into the Discworld as oblique reflections, such as the anti-Goth fixation of the vampire teenagers in Carpe Jugulum.
CARPE JUGULUM Is Pratchett's twenty-third Discworld novel, and the series' current bestselling paperback. The vampire family of the story Is conscientiously modern (preferring, for example, the modernist nomenclature of 'vampyres'), allowing Pratchett to have his fun with the conventions of both vampire mythology and contemporary Goth fashion In one family squabble: Count Magpyr, who has slowly weaned his family off their phobia of garlic and religious symbols, has gotten them up at dawn on an overcast day so as to get them used to sunlight ('We can acclimatize. And one day. . . the beach. . .') and insisted that they try a bottle of wine, rather than the usual breakfast of blood. Pratchett Inserts cute gibes about oUr real contemporary world, but he squeezes the real Interest and motivation of his characters out of
then bent conventions of the fantasy genre itself, such as finding a real, If thoroughly comical, pathos in the Count's wish to be like normal people, even if It means getting used to drinking sour, watery wine.
"Post-modern" is a tag thrown about pretty lightly. But in his Discworld novels, authentic fantasy stories that nonetheless parody fantasy-as well as absolutely anything else they can get their hands on-Pratchett may have earned It. Furthermore, the freedom of his imaginary world is irresistible: the Discworld Is not just huge and fantastically cosmopolitan in the variety of Its denizens-humans, witches, vampires, a sardonic Grim Reaper-it is similarly diverse in its attitude. So Pratchett can incorporate into his stories any animal or creature, any literary genre, any cultural reference. The referential humour remains a trademark, but it Is this exuberant freedom of concept, characterization, and style that really fuels the Discworld series through Its twenty-third installment and beyond.
CARPE JUGULUM by Terry Pratchett is out now in paperback, published by Corgi RRP £5.99
Being someone for whom presentation is everything, 1 must conclude that t was quite impressed when I saw the enticing cover of this particular handbook to Nepal. Apart from a breathtaking photograph: lush valleys set against a backdrop of soaring snow covered peaks; the inset provides a highly useful coUection of information such as Nepal dialling codes, a guide to hotel prices (even quoted in Euros!) and a list of exchange rates, so all in all from the outset, you're able to deduce that this is a very up-to-date, factually useful book. Now^ concerning, the content, well that was also impressive too, especially the extensive research that went into this book.
Information about the various regions and districts is professionally divided up into easily accessible sections and is annotated with easy to read maps which outline the main sights and on some maps routes of specific interest are laid down. For those of you whose cartographic jknowledge extends only to guessing that Nepal is sornewhere in the East, this particular attribute of the handbook should be highly welcomed. ; The handbook also goes one
step further and introduces travelling into India and even Tibet and of course all border-formalities are explained. So if you are indeed thinking of visiting Nepal, this guide comes highly recommended; my only concern is that there is too much crammed in, making it difficult to decide exactly where to go or what to do!!
NEPAL FOOTPRINT HANDBOOK by Tom Woodhatch is out now RRP £11.99
COMPETITION
Want to go to Nepal ; anytime sooo? Got the dosh but not the info? ^ have 5 copies of the handbook to give away.
Just name two ? countries bordering Nepal and leave your answer with your name
and number in the Literary pigeonhole in room C023 and we'll get back to you.
•J.
THE BEAUTIFUL SOUTH
RIYAN ITANI CHECKS OUT AMERICAN BEAUTY
American Beauty is the film that everyone is talking about, out in the US 'at the moment and released here on Friday it opened to a tumult of Oscar talk and critical acclaim. On the face of things one begins to wonder what all the fuss is about, after all a story about the Middle American mid-life crisis hardly has the pull of a major hollywood blockbuster. So should you actually bother to part with any of your hard-earned student loan to go and see this film? Well the short answer is
quite simply, yes. If you can be arsed with the long answer read on...
Here's the gist of Kevin Spacey's midlife crisis: he's told his boss where to stick his job, he's bought a incredible vintage sports car with his redundancy/blackmail cheque, his daughter's stunning cheerleader friend is cracking on to him and to top it all the kid next door is dealing top-knotch weed at knock-down rates - this movie is none-the-less a great deal more comic and moving than it sounds.
This is without doubt an excellent film and there really is something which will appeal to everyone. It can be enjoyed simply for its spot-on portrayal of a present day nuclear family played out in the fashion of a scathingly funny p r i m e -1 i m e sitcom. Whilst others will look beyond that and
'experience' American Beauty as itj explores the human mind and ponders the humdrum existence, that Lester (Spacey) forges ahead with every morning. Excellent performances are given by all. Spacey fails to dissapoint in another in a cannon of 'career bests'. He is comedically brilliant and his timing is nothing short of impeccible. Spacey is surrounded by dazzling turns from Annette Bening (who will make every man 1n the audience drool), Chris Cooper, Thora Birch and new kid on the block Wes Bentley.
American Beauty manages impressively to occupy that dodgy, dark but funny area of American film making that others have pitiously failed to fill. This movie balances out comedy (Spacey getting caught by his wife while beating one out) with socially rough topics such as homophobia and family break-ups. It gets a huge laugh from the familiar and a serious note of tragedy from harsh realities of middle-American social discord.
I AM THE RESURRECTION
MARK CAMPBELL SIZES UP STIGMATA
Stigmata stars Patricia Arquette as Frankie Paige the stigmatic in question, whose troubled case is dealt with by organic scientist turned sleuth priest Father Andrew Kiernan (Gabriel Byrne). Stigmatics are poor souls with such deep felt Christian beliefs that they inflict crucifixion injuries upon themselves. Throughout this film, Frankie is particularly irked, because despite her atheism, crucifixion injuries are inflicted upon her from an unknown spiritual source.
Director Rupert Wainwright relies on well hallowed techniques to maintain a chilling atmosphere from the outset- a bass undercurrent sound which Is so deep it
resonates your bowels and eerie whispering whenever Frankie is due to receive a spiritual decking. Prepare yourselves for loud bangs and plenty of bleeding as Frankie gets gradually crucified in various stages. Firstly she is the recipient of holes through the wrists in the bath and then there is the Ingenious use of handrails on the underground- ideal for a spectral lashing. Employees of Interflora beware; at one stage her bodily contortions are so severe, a flower stall is an unlikely victim.
For the first hour, the barrage of Injuries Frankie sustains (by the way, she's a screamer) has the effect of making one feel thoroughly uncomfortable, certainly a
Arquette enjoys a trip on the underground.
laudable directorial trait. I was hoping the explanation regarding Frankieis affliction would sustain the tension already present. Unfortunately, Wainwright cannot build upon this with the introduction of his central premise; that of a Catholic cover-up of an ancient gospel,
which Frankie as a culmination of her possession, earnestly scribes on every conceivable surface. It does not correlate why she must endure a crucifixion so she may write the words of a dead priestis translation. One can only hypothesise that
Wainwright did not believe the audienceis attention would be maintained, if he did not resort to producing what is essentially a poltergeist movie.
This clashing of spiritual possession with church admin problems do not combine together to make one chillingly effective movie. As a result, the film descends into a run of the mill possession eni exorcism farce, with Gabriel Bryne doing the act in question and at the same time discovering obscure subplots; that at last he has found his faith and that Arquette gives him the
horn. Bless.
Stigmata may be worth viewing for those sadistic types whom enjoy the spectacle (get it?) of Patricia Arquette receiving the spiritual beating of her life. But if you desire a worthy and thought provoking reason to why half the film is based upon a crucifixion, 1 wouldn't bother.
STUDENT RADIO CHART
men
1) Oasis- Go It Let Out I) Death In Vegas- Aisha I) Aridreas Johnson- Glorious 4) Manics- The Masses Against The Classes
Si R.EJA.-The Great Beyond
6) Eels- Mr. E's Beautiful Blues
7) All Saints- Pure Shores i) Red Hot Chili Peppers-Otherside
§)[ ten- Steal My Sunshine
10) Super Furfy Anjnfials- Do Or
Die
tHE THE STUTTER ROUND THE COUNTRY
Despite the growing rumours that Matt Johnson was so ugly when born that they had to draw a Cricle round his mouth so that his mum wouldn't feed his arse he has managed to form a new incarnation of The The with which to tour the country. They wil be playing the Shepherd's Bush Empire on the 6th of April, and tickets are on sale now from the venue. Due to the huge heap of bills at the Johnson household, cost the'princely sum of £15.
LSE Live Music Society Bash
Chamber pots at the ready because the Live Music Society has forced its way back into the tSE stronghold to provide a stage for the cream of the uni's musical talent to air their si/arblfngs to the masses. The event is on Tuesday 25th January at 8pm in the Underground. Be there or wonder where the racket^s coming from.
CAMBER SOUNDS
Two new headliners have been added to the already packed bill for the All Tomorrow's Parties festival to be held at Camber Sands holiday park near Rye in East Sussex. Super Furry Animals and the not so youthful Sonic Youth squeeze comfortably on to the top of the line-up which also includes Stereolab, Tindersticks and Mogwai who reputedly hand-picked the artists they wanted to perform. So if you fancy reliving the situation comedy of the miiynhiom that was Hi-De-Hi pop along to book a chalet and pick yourself up a ticket for a wallet grabbing £90
SCREAAAAGER
Jonny France dodges the shrapnel as the sparks fly from 'down-the-pan' label Creation's latest release
Primal Scream - "Exterminator"
"I
'm gonna cry, cry myself
blind....." From sweet
country rock 1994 to an album that reeks of totalitarian menace, urban paranoia and heinous narcotics. Primal Scream 2000 have created an apocalyptic tour de force. If last altaum Vanishing Point' occasionally felt a little lightv^eight and fragmented, 'Exterminator' is dense, claustrophobic and very, very disturbing. It grabs today's dance Zeitgeist just as surely as 'Screamadelica' did in 1991, but finds it in a much less celebratory mood.
IMtMLJiCKM
CTItMNTIt
Whether Exterminator represents a damning epitaph to the end of the century, or a doomed harbinger of things to come, we would do well to exercise caution. "Military-
industrial____ illusions of
democracy" inveighs first single 'Swastika Eyes', belying the anarchistic spirit and preoccupation with Vietnam which infuses this record. Such cynicism is directed not at past Communist/Fascist regimes but rather the 'model' ¦democracies of today, which, the hopes of millions having shattered across a war in Vietnam, continue to stagnate as society disintegrates around us. Most remarkably, the shock troops disseminating
this message are in fact five 30 something Brit-rock veterans. By rights they should be collecting their pensions from Creation Records, not leading the revolution.
'ou know how you always thought that dance music was cool, but lacked that certain human touch, that the int^ration of dance and rock had to mean more than a Fat Boy Slim remix? Well the Primals have delivered such an organic beast, working with a variety of producers from Kevin Shields to Adrian Sherwood on each individual track. Its like the Stooges meeting with David Holmes in the most forsaken ghetto in town, a bitches brew of punk ethos, industrial layering and Bobby Gillespie's plaintive wail. The first seven tracks are untouchable. 'Kill all hippies' sounds like Curtis Mayfield soundtracking the Escape from LA, before 'Accelerator' takes off over a ragged, furious punk riff, 'Rocks off on mescaline. "The civil disobedience, the civil disobedience" taunts next track
'Exterminator', over a relentless, electro-funk groove. We then get 'Swastika eyes', not the flimsy 5 Chemical brothers remix, but the hard, metallic techno of the original.
Track number five 'Pills' is a startling addition to the Scream's cannon, opening with a fraught Gillespie rap that builds into a torrent of expletives, to the sound of looped, straining
synth strings. Its the sound of Toxteth, Moss Side, Brixton, DC South East, and every other condemned enclave you've had the misfortune to find yourself in.
'Blood money" is the escape, a revved up, jazzy Lao Schaffren's 'Bullet' for the severity of our times. Providing scant respite,
'Keep your dreams'
serves up a return to the post-coital reverie of 'Higher than the sun'.
Gillespie promises to go "deeper underground", and whether it's in a narcotic haze, to conjure up harder beats or escape from post-Fordism, one can't be sure. 'Exterminator's' pleasures are many, and we even get the Kevin Shield remix of "If they
microw
move kill 'em....', a bongoed beat which culminates in a wall of irascible white noise. 'Shoot Speed Kill Light' closes 'Exterminator' in fine, 'Death-in-Vegas'-esque style, Bernard Sumner thrashing away on guitar, piloting the mothership to new realms.
Easy pee-sy
Whether by chance or design (perhaps in
competition with Asian Dub
Foundation!), Primal Scream have
created the most incendiary record since Public Enemy's 'Fear of the Black Planet', or a nineties equivalent of say, 'V/hat's Goin' On?', but set in much
harsher tones. Offensive but intensely listenable for over an hour, it single-handedly sweeps away reports of Brit-pop's demise. The 21st Century though? You wouldn't
want to live there.
?????
'Exterminator' is released % Creation on January 31st.
PRIAAALS HIT THE ROAD
Primal Scream will be taking their toons on tour in March. The shows promise to be an extravaganza of a night, with guest DJs including David Holmes and suuport bands as well. Don't know who, though. Anyway, as some of you may be thinking about being on hols somewhere else in sunny Britian, here are the full list of dates:
March:
8- Rock City, Nottingham (£13.50, from 01159 588484)
9- Octogan, Sheffield (£13.50, from 0114 222 8777)
10- UEA, Norwich (£13.50, frorti 01603 505401)
12- Corn Exchange, Edinburgh (sold out)
14- Ritz, Manchester (sold out)
15- Hammersmith Palaisj iondor (sold out)
April
21- Brixton Academy (£16.50 from 0171 771 2000)
????? Old Building
????? Clement House
????? St.Clements
????? The old Library,
????? The new Library
MUSIC
WIN HIDEOUS AMOUNTS OF FREE STUFF!
Lordy, Lordy, lord. The Beaver office is full to the brim of NME goodies in support of the Awards, Tour and Astoria shows coming at the end of January. Will someone please oblige us by taking them off j3ur hands?????
Cluttering up this underground hole are the foUowing prizes for one winner;
-1 Asian Dub Foundation CD -1 Death in VegasXD -1 NME Premier Tour Shirt -1 NME Tour Bag
And if that wasn't enough, four oh-so-lucky runners up will be adorned with these top prizes:
-1 NME Premier Tour T-Shirt -1 NME Tour Bag
Should you wish to do us this favour, answer this question or die:
Name one of the acts that played on last year's NME tour.
Email your answer to S.Ganatra@lse.ac.uk or
C.R.Jurd@tse.ac.uk by January 30th. Winners will be picked at random. Editor's decision is probably wrong as always, but final nonetheless.
Playing the NME shows this year are Ash, Muse, Shack, Asian Dub Foundation, Feeder, A, The Beta Band, Coldptay, Embrace, Elastica, Campag Velocet, Regular Fries among a host of many others. Check out www.nme.com for more information. Note that this site will also be broadcasting all the gigs live. Technical problems permitting.
MOWLAM FOR, CLINTON AGAINST
Inhale
Feed
^Pir'om
getstle's $re»kers
I Xt h e start' this record makes a good Impression. The so-called track gives an introduction that will make Californian punk fans listen on with hope, as it gives off a small impression of Green Day dash Driven diluted with 5 parts melody. As the record rocks on, the mad caddies/ pennywise fans lose Interest, but suddenly those forgotten Seattle scene lovers wake up to the sweet scent of some grunge possibility with 'Listen to the Sound' and 'Alone'. 'Lucky', though, is not so against criticism as it lets everyone down, and 'On the Beach' probably was where the band was when the were writing the song, so we can excuse them for not being concentrated on producing fine (insert Southern American accent here) music. Can we? Listening to
the rest of the tracks makes me wanna say Yes, as these guys have really come up with some ear-catching tunes and riffs, if not an original style. This 1999 record is a good example of profoundly 90s rock, so even if Inhale haven't come up with the sound of the new mil!@#6 (you know, the m-word). Feed is definitely a record (36-minutes, halfway between an EP and a LP, let's call it HIP) worth listening to!
????? Elias Corossis
SWISS (ROCK &) ROLL
Sinner DC
Panoramic
Sinner DC are a Swiss trio formed in Geneva in 1995. This is their first album released in the UK, but previously in the German and French charts in 98. You wonder what the French and Germans would be like if they ate British beef because if they enjoy Sinner DC something fnust already be wrong with their heads. The band plays what could generously be labelled noisy-pop and it is absolutely awful. The recording is poor, the
music is dreadful, you plainly cannot hear the lyrics (and does it really matter?) and I couldn't even notice when a song was finished and another one had started. The information sheet which came with the album says 'don't be fooled by the elegantly throbbing atmospherics and pop craftsmanship of the album'... elegantly throbbing atmospherics? I'd find more elegant whoever wrote the text never actually listened to Sinner DC.
I looked very, very hard for something positive to say about
Panoramic and the only thing I could find was that the name of the first track is fairly witty: 'Gazm or Gasm'. There that's it, nothing else.
PS - As an aside, I searched Amazon.co.uk for Panoramic and they claimed the album was unavailable but would be released on 10 October 2011 so you could order now and It would be shipped as soon as they got it. I'm disappointed, as It is quite likely that I'll still be alive then. 10 October 2111, now there's a good release date for Sinner DC....
????? Ricardo Vale
with a blunt, rusty scissors. The rest of the song fares little better, and overall this is a dire, unoriginal release.
2/10 PD
Muse
Sunburn
If you've seen Muse's weird, plastic CDs, you know they are impossible to open. Passed around the Beaver Office, everyone failed in their attempt to get the damn thing out of Its cover. As close as 1 am to boycotting the frigging thing, having heard the song from the album. It does desrves copious amounts of praise Mmmmmmm...Muse...
8/10 SG
James
We're going to miss you Shite song by a shite band of wankers. Sounds like a load of sheep trapped in a barrel with a Welshman or three. Yes it really is that good and no, we won't miss James when they're gone...
1/ 10 AS
April
Bring you Love April use words like 'juggernaut', 'space-travel' and "smouldering' when describing their music. I prefer 'underachieving', 'monotonous' and 'shoegazing revival' but fair play to 'em. Given another chord and slightly less reverb they could be the new Chapterhouse.
5/10 DC
SINGLE
Matthew Jay
4 Songs
Impress your loved one with Food record's sensitive new signing, Matthew Jay, whose debut EP '4 Songs' is a fine statement of intent. 'Please don't send me away' is a perfectly formed slice of folksy Indie, like Crowded House flirting with the ghost of Nick Drake. From austere beginnings it builds into a sweet, falsetto driven chorus that will have you gazing wistfully out of the window when it comes on XFM. Liberate him from the AOR production, and he'll go far.
7/10 JF
Fiona Apple
Fast as you can :| don't think too many people in Britain pay too much attention to Fiona Microsoft; oops- Apple I meant (brainwashed kid of the 90s, please forgive me), but if you've got enough American friends you've probably noticed how big she is there. Well the point is that this single shows that Apple is worth her salt. 'Fast as you can' is as driving and refreshing as it sounds, with the right production and all , ideal as a wakerllp, track In the rporning. You know What i wanna say: buy it as ^..(Insert title then click OK)
EC
N-Ftuence
Sweet Substance Well by the looks of it someone's taken some time off pimpin' and decided to add to society's ills by releasing this little crock of shit. 48K records, that's the extremely welt known and loved production company, have 'banged out another wicked one' with this four track, mixes single. Do the sane music world a favour and avoid it like the local paedophile.
1/10 Ri
My Life Story
Walk/Don't Wali<
um sTomv
WALK/DON'T WALK
Underrated indie-popsters My Life Story have often entertained with their enchanting, string-laden numbers, and this release is no different. Downbeat verses give way to a breezy chorus that is reminiscent of Crowded House, and although It is fairly pedestrian at times, it will easily satisfy existing fans.
6/10 PD
Blaque Ivory
Bring It AU To Me You can hear the Casio-keyboard chees-iness of this record just by looking at the cover of this release; which admirably sets a new benchmark for run-of-the^mitl-ness. Only slightly less predictable than the result of a popularity contest between the Queen Mother and Genghis Khan its the same old RnB beat with a few pleasant voiced singing the word "baby" a lot.
2/10 CJ
Family Values
Diffrent Times This is house 70s-disco style, Vannessa Freeman providing the sassy vocals for the latest Kirk DeGiorgio offering. The funk guitar everpresent behind her voice raises this Cassius-style track above the quagmire of the mediocre. The addition on the 8-sides of the instrumental and Freeman a cappella goes to show that Diffrent Times Is greater than the sum of its parts.
7/10 CJ
Bloodhound Gang
The Bad Touch In anticipation of their forthcoming UK tour, LA'S smuttiest band release this single from recent album 'Hooray for Boobies'. With a sound simitar to Limp Bizkit, the track fails miserably in attempting to wind up the moral .majority, its chorus of 'You and me baby ain't nothing but mammals, so lets do it like they do ott the discovery channel' about as amusing as having your testicles removed
CLUBBING
Charts w/c 17/01/00
Blackmarket records
25 D'Arblay Street, London W1V 3FH
Drum'n'Bass
1. Ray Keith Something Out (UFO)
2. EZ Rollers EZ Rollers (MSX)
3. Futuretech Tunnel Vision (Tech)
4. The Infantry EP The Infantry EP (Underfire)
5. Dylan Corkscrew (Outbreak)
6. Digital and Spirit Phantom Force (Phantom)
7. Rugged Rugged (Rugged)
8. Ed Rush and Optical Gasmask (Virus)
9. Special K Slipstream (Vinyl Conflict)
10. 2 X Freestyle Shy FX/ Brockie Remix (TT)
House
1. Sneaky Armada Illicit (X)
2. Joey Negro Can't Get High Without U (Azuli)
3. The Deviants Obvious (Large)
4. Nightsource The Rise Above (Naked Music)
5. Jon Cutler The Trip Meister (Remedie)
6. Eternal Sun Afro Swyped (Wave)
7. Spiller Mighty Miami EP
(Dreambeat)
8. Bini and Martini Happiness (Azuli)
9. Johnick 2000 All That Kissin (Henry Street)
10. Joe T Vanelli Project Don't Bring Me Dov/n (Dreambeat)
Cool cuts
1. Bini and Martini Happiness (Azuli)
2. Barbara Tucker Stop Playin' With My Mind (Positiva/ Strict)
3. Sunburst Band Radiant EP
(Z)
4. Tedd Patterson Roots (Black Vinyl)
5. Mutiny UK Secrets ' (Sunflower)
XSF Records
39 Berwick Street, Soho, London W1V 3RE
Trance/Techno chart
1. Stage One Space Manoeuvres
(Hooj Choons)
2. Rank 1 Airwave (Free For All)
3. Pound a Harris Formentera (Rising High)
4. Fergie vs. Bk Hoovers and Horns (Nukleuz)
5. Ocean Wave Velvet (Rhythm Syndicate)
6. DJ Tiesto presents Control Freaks Subspace Interference (XSF)
7. Tom Stevens Emotions (Go For It)
8. DJ Vincenzo Eternity (Black Hole)
9. Highgate Pitchin (Incentive)
10. Ricky Inkredible Energize
As we prepare to kick off a new feature next week giving the lowdown on how student friendly London clubs really are, we went round the LSE to ask the raving massive:
What are the best/worst clubs you have ever been to?
Amy Buxton 2nd year Social Policy
"The best club I've been to was The End on a night they were playing house and garage and r'n'b. It was cheap to get in, drinks were reasonably priced, there was a nice atmosphere with good vibes and loads of sexy men.
The worst club was Telepathy (jungle rave) at The Rex in Stratford." (nuff said-ed.)
Tamar Makary
General Course, International History
" The worst night out I've ever had was at the Hanover Grand on a Thursday night. We were absolutely robbed by the. entrance fee, they played loads of crap club mixes of r'n'b songs; it was really disappointing after all I'd heard coming from New York about how cool London's clubs are. It sucked."
Claire Currie 2nd year Social Policy
The worst club I went to was the Colliseum on a Saturday night. They played house and garage and it was my birthday so I was really up for it but everyone had such an attitude; there was a really negative vibe in there. Plus it was raining that night. I still have terrifying nightmares about it to this day."
John Sagan
2nd year Anthropology and Law
The best club I went to was The Funkin' Pussy held at The Africa Centre, a venue haunted by the spirit of Soul II Soul. The minute I walked in they played "When I Reminisce Over You" by Pete Rock and C L Smooth, which has this poignant horn hoop that goes "da da da da da dada dada". It hits me every time. They were just throwing down beats and rhymes all night. It was amazing."
12 hard black inches
Beanfield The Season remixes (12") The Season is the second single taken from The 'Field's critically acclaimed album "Human Patterns, is remixed here by Sheffield based Swag Productions. A nice little downbeat roller with deep b-lines as some wicked vocals courtesy of 21 year old Bajka, watch out for this one, folks.
Mutiny UK Secrets/ Blowing in the Wind (12")
This tune is already speeding up the house charts, with its splendid pounding house beats and funky vocal hook. The b-side, Blowin' Like The Wind is slightly darker but will still please the house massive no end. Mmmm, nice.
Krust Coded Language
Sounds familiar, eh? Looks like things aren't going too well for Coded Language as Krust finds himself In 'established d'n'b producer debut album hell'. This 1s the fingers crossed second time round re-release for Krust's debut effort (yeah, a new cover should do the trick), a eclectic mix of dark basslines, jazz and funk sounds and even a bit of classical
orchestration for good measure.
Vocalist Morgan makes an appearance on many of the tunes on Coded Language, and while it might be said that she doesn't exactly have the voice of an angel, her vocals work well on the stronger tunes on
the album such as Excuses, and, hey, she looks pretty. Arguably the best track on the album is the title track featuring the angry poetic vocals of Slam star Saul Williams, and the raving massive will already be familiar with the dancefloor smash Tribute. Yet despite the plethora of sounds which Krust has on offer, Coded Language is an album which leaves Krust's regular clientele largely disappointed. If it's Warhead you're after, then save yourself fifteen quid and leave it on the shelf.
Other new releases out this week...
House
VARIOUS mixed by JUDGE JULES; Clubber's Guide To 2000 incl. Mario Piu, Space Brothers, Dave Aude, Spoiled & Zigo, etc. (Ministry Of Sound)
Techno
VARIOUS: DJAX Records: The Power Of The Underground
(90 page book & unmixed CD album Incl. Terrace, Robert Armani, DJ Skull, etc.
Trance
VARIOUS: New Trance incl. edits of Tilt, Mea Culpa, Energy 52, Salt Tank,
etc. (Smart)
Breakbeat, Funk & Hip Hop
VARIOUS: Funk Spectrum 2
compiled by Kenny Dope & Keb Darge.
Downtempo/Leftfield
VARIOUS: Hi-Fideiity Lounge Volume 1 incl. Atjazz,
Thievery Corporation,
Extended Spirit.
London Underground
.please stand clear of the vomit-stained floors
Tuesday L.U.S.T
R'n'B flavas with Da Firin' Squad, Fitzroy Da Buzzboy, Soulforce, amongst other guests. @ WKD, 18 Kentish Town Road, Camden, NW1
9pm-2am, £3
Wednesday
Swerve
Fabio and guests lay down the law with the latest drum and bass toons @ The Velvet Rooms, 143 Charing Cross Road, WC2H
9pm-2.30, £6, £5 concs b4 11 The Loft
Paul 'Trouble' Anderson and Jeremy Newall play vocal house and disco.
@ Hqs, West Yard, Camden Lock Place, Camden Lock NW1 9pm-2, £5, concs £4
Thursday
Movement
Drum'n'bass with resident Bryan Gee and guests on rotation.
©Bar Rumba, 36 Shaftesbury Avenue, Soho W1V
9pm-3.30, £6, NUS £5, £3 b4 10.
Friday
Super Sexy
Conti, Kenny Palmer, Piero Peace and friends play the best in uplifting and progressive house.
This Friday 28th, @ The Glasshouse, The Mermaid Theatre, Puddle Dock, Blackfriars, EC4
IOpm-4,30, £8-£12 Independence
US house and disco in conjuction with Kiss FM and homeless charity Centrepoint. Hanover Grand, 6 Hanover St., W1 10pm-4am, £5 b4 11, more after
Saturday
Derrick Carter, Tom Middleton, Craig Richards, Terry Francis and more at the newly refurbished Fabric (what, already?) Fabric, 77a Charterhouse St., London EC1M 9pm-7am, £12
Sunday
Metalheadz
Goldie and the crew get their 12 inches out @ Dingwalls, Camden Lock £5 b4 9pm, £7 after
If would you like to review the latest underground tunes, check out London's top clubs, interview top DJs and producers plus loads more in Bart's wonderful clubbing pages, then get yourself down to C023 betow the Tuns on Mondays at 6p; and speak to Jo- don't miss out!
STYLE
SPEC-TACUUR: THE AAANY FACES OF LSE
Mark 'Judge iulesy' Campbell
HARPERS.
Kate 'gotta have them' Oliver
Armani
Maged
HIERO
magic specs' Latif
Jeannie 'la tres belle chic' Gu DOLLAND a AITCHISON
Tola Soleye expounds on a 12 year habit
Gone are the days when myopia banished one to a life of purgatory with Deirdre Barlow type specs and bottle thick lenses. As much as I hate to admit it, the likes of Chris Evans turned the spectacle-wearing world on its ear with the emergence of chunky black nerdy glasses. 'NHS chic' or 'geek chic' was born. This look coincided with the return to androgyny and anyone who's anyone was seen looking over the tops of their glasses in the way teachers of old have always done.
The Appleton sisters and Mel B/G/B ensured that glasses made the transition from cool to sexy. They disproved the maxim that 'Men seldom make passes at girls who wear glasses.
This also meant that no one had the excuse to have unsightly birdcages parked on their noses. Nice glasses can be found with the same effort as awful ones. Opticians have latched onto the cachet afforded them by
celebrities and virtually all shops, from the budget stores to the more expensive boutiques stock trendy, good looking frames giving no one an excuse to have awful ones.
In cataloguing the travails of spectacle wearers, the style writers decided to look closer to home. This resulted in our prowling Houghton street hunting for gorgeous people and equally gorgeous glasses. Cue madcap antics with Shailini and Neha being very 'Vogue' and directing photoshoots against tres artistic backdrops. This was an extremely unpleasant task (NOT!)
We had a lot of fun with this and will be continuing the series: hats, shoes and people, so stay well dressed and keep your eyes peeled for two girls with a camera
Styling: Shailini Ghelani
Photos: Neha Unia
Petrekis ' what a sweetie' Themis CUTLER a GROSS
Reema 'pash for fash' Hyder
ARMANI
Stephane 'what a babe'Rieppi
VERSUS by VERSACE
Rachna Uppal and Tola Soleye
The festive period has come to an official close and as always, has been heralded by the eagerly awaited January sales. This is the time when one begins to feel a sense of nostalgia and concoct in one's mind an idealistic image of targe, sparsely occupied stores complete with the best in customer service, a cheery greeting at the door and a personal shopper helping you every step of the way in your quest for the perfect skirt, suit or trousers alt at a 'bargain' sale price.
If you do manage to find such an oasis, please do let the style writers know. From personal experience, shopping in the January sales involves crowded, hot, smelly
shops with disappointing reductions that completely contradicts the huge red sales signs outside. Add to that endless queuing for changing rooms, never finding what you want in your size and feeling like an elephant for the rest of the day because all that's left is for munchkin-sized individuals who have no business in adult size shops anyway!
In particular, at places like French Connection which most students can't really afford during the year but currently, a superbly tailored pair of black trousers which would normaUy set you back £70 will now be snapped up for £40. In the current job- hunting climate, bargain hunters should check out shops like Mango and Zara, which stock gorgeous clothes for all occasions at reasonable prices. With a sale on, it's even better but the trouble
with this period is that what you see is what you get so everything is being snapped so hurry on down there!
Finally here are some tips for the ultimate in sale savvy:
DON'T BUY
Pashminas- no matter how cheap they are, they are so over, Marks and Spencer stocks them now. Need t say anymore?
Cowpn'nt pony skin- if you didn't buy it 3 months ago, there's really no point in doing so now. A look at the 99/00 shows will show you this quite clearly!
Anything you plan to slim your way into, tt never works; if you really think you're going to lose weight, it'll be so much more fun being able to fit into it at the time of purchase.
DO BUY
Stripy scarves a la Dr. Who are very now, also classic things that you'll always wear; jumpers, white t-shirts, jeans, shoes and trainers. It's also a really good time to check out shops that you normally can't afford. Bargains are often to be found nestling away. You just have to go in the right frame of mind and on a weekday morning for the least possible hassle. Have a look at mock-snake skin if you are determined to spot the next trend. If you can't be bothered to keep up with trends, try getting a timeless look-rock chick, boho chic or even scruffy student which never dates. Whatever you do, have a laugh and save loads of money!
Happy Shopping!
THEATRE
GUILTY BY SILENCE?
James Savage takes us through the intricate issues behind the dranfia society's
latest production of The Representatives.
How many divisions has the Pope"? Stalin once remarked. "A number of legions not always visible on parade" was Churchill's reply. Rolf Hochhuth's controversial - some would say notorious - play The Representative (1963), to be staged this week by the LSE drama society, levels the accusation that the wartime Pope failed to mobilise these legions in protest at the Nazi Holocaust of the Jews. Hochhuth's powerful and provocative piece continues to stir passionate debate, particularly in the light of the recent publication of secret wartime archives from the Vatican which has reopened old wounds that never quite healed.
Hochhuth's play relentlessly drives home the point that Pope Pius XN's policy of neutrality and his adherence to the Concordat with Nazi Germany which theoretically respected the Church's property and prerogatives led him to maintain a significant silence on the so-called "resettlements" of Jews in Nazi-occupied Europe at a time when he had been made fully aware of the true nature of these resettlements by reliable accounts from many sources, including Catholic nuncios in the occupied countries.
Had the Pope made an unequivocal statement on the unfolding Holocaust, the argument goes, his moral and spiritual authority would have vouched for the truth for what could otherwise easily be dismissed as enemy propaganda in occupied Europe. Adherence to "neutrality" and to a Concordat which had been routinely violated by the Nazis since the first ink had set on it in 1933 prevented
mm
Pius from fulfilling his moral duty to condemn and to encourage his bishops to tell their flocks about the truth of the Final Solution. For Hochhuth, neutrality and moral responsibility present stark choices, and the author leaves us in doubt which course of action he considers the more noble.
Hochhuth's critics argue that the "do something" school is highly naVve given the circumstances. In February 1942, Catholic leaders in Holland prepared a letter condemning the deportations and read it from the pulpit despite threats from the Nazis. As a result, the Gestapo swept through Catholic convents and rooted out Jews who had converted to Christianity - something they had not done before. Other similar incidents support the view that a public protest from the Pope
would have only intensified Nazi persecution. The charge that this is a convenient get-out clause ignores the important fact that, in the Roman Catholic hierarchy, the kind of pastoral leadership necessary to give the cue to anti-Nazi resistance rests with local bishops, not with the Pope. Those who did defy Nazi .orders and courted certain death put themselves through an ordeal which, it is argued, the Pope could not demand from Rome.
Had the Pope reversed this hierarchy by giving the lead (as the character of Riccardo in the play begs him to do), his secular power, which extended to a few hundred people in the Vatican, would not have put him in any practically viable position to confront the huge military and political machine of a totalitarian
state now occupying half of Europe. The notion that his spiritual power - what Churchill called his "Invisible legions" -could somehow have been spontaneously translated into political and military resistance by Catholics in the face of the Nazi state apparatus is held to be grossly naive by Hochhuth's critics. They furthermore point to his efforts to help undercover, to the fact that leaders of Jewish communities in Hungary, Italy, Romania, the US and Israel (including Golda Meir herself) thanked, the Vatican for its help after the war, and deplore that, as a result of Hochhuth's play, the fact that Pius did not explicitly condemn the Holocaust is all that seems to matter in the current debate.
The Representative owes
NO NOSE IS GOOD NOSE
Kripali Manek sniffs out the edge of the fringe
Looking for a truly original theatre experience? The Stampede Company presents an adaptation of Nikolai Gogol's story, The Nose' at the Etcetera Theatre Club. It portrays a man experiencing the horrors of a bad dream in which he finds himself with a missing nose. In his search for the lost sense organ we are taken through the corridors of dream and reality In a surreal series of events during which it is difficult to determine which Is pervading.
The Russian writer Initially Intended the title of his work to be 'Son' which is Russian for 'Dream'. But in the.final version this was . changed to read backwards as 'Nos' (Nose). To emphasise the title, the actors wear large rubber noses and along with few other props, they produce comic mayhem with both mime and original sound effects. Ticking clocks.
wiping windows and water droplets are among many sounds which are vlvdly reproduced.
What at first seems simply bizarre becomes quite amazing as the talents of the company of four shine through. The show provides excellent entertainment,
but note that while it is comical,
there are subtle undertones of sadness as we see the significance
of the runaway nose and the hero's struggle for his own identity.
The theatre in which the play Is presented is small and the audience is able to feel the closeness of the actors. It will be a very unique evening to remember.
January 11th - 30th Tickets £6.50, £4.50 conc.
The Etcetera Theatre Club
at The Oxford Arms 265 Camden High Street London NW1 Box Office 0171 482 4857
something to the Brechtian Lehrstueck or "didactic play" and, like Brecht, Hochhuth leaves the audience in no doubt as to which side of the argument his sympathies rest with. However, it would be wrong to dismiss the piece as mere propaganda, for the characters are far from one-dimensional and the author allows both sides to state their case with pathos and conviction, in a muscular, declamatory style which is sure to arouse and draw in the audience.
The Representative is on in the Quad on the 24th, 25th and 27th January in the Quad.
Tickets will be on sale at lunchtimes all week in Houghton street and on the door.
MIME YOUR LANGUAGE
|"^or all of you who consider I* mime to be some bloke with I a white face strug^ljfr^ t|! find his way out of a box, now is the time to sort out your misinformed minds.
The London Internationat Mime Festival is well underway with some real treats for you mime lovers out there.
Amazing masks and puppetry at the }CA, action packed physical antics in the Circus Space and your own personal viewing of Stan's Cafe (180 seconds long) at Canary Wharf, they'll be something for you all
Happening at a variety of venues around London untili January 30. i
rof«ssionot intkruction for M«n on SfMn Mon - Fri lOam - 6fim Sat
CAffEP EAM.YTO AVOBi
¦Beaversports
f/jeBeaver
Issue 512 - January 24th 2000 26
REVOLUTION OF THE CONSTITUTION
Fat Bob unveils plans to take the Athletic Union storming into the 21st century...
Wilkommen back to the glamorous world of LSE Sport, I trust that you all had a productive few weeks on fitness training and healthy eating in anticipation of a committed and ""successful assault on the BUSA knock-out cups. Traditionally, its the sudden-death competitions in which the LSE excels, due to our limited resources and 'fighting quality' that, like Tyson, we get from living in the eternal slum that is the Tuns. In all seriousness kiddies, remember, if you go out early then all you've got to look forward to are a term of meaningless friendlles, so take it seriously and take on the big shots.
Just a couple of announcements. We in the Exec, are proposing a couple of alterations to the AU Constitution, and we need to make potential members of the AU aware of this. Firstly, In past years there have 'been a number of altercations and debates over who should get AU colours and half-colours at the end of the year. This has been because of the brief and ambiguous way in which they are currently described in the Constitution.. As a result, we have drafted a proposed amendment that clarifies the conditions under which colours can be awarded, and also makes the award of 'Club Colours' officially recognised by the AU.
Secondly, we want to re-define the roles of the elected members of the AU Exec. At the moment, there is too much responsibility placed on the shoulders of the President and Treasurer, and the
!r
roles of the Assistant positions do not provide those people with a guide or mandate over the jobs they should be doing. Therefore, the positions of Assistant President, Assistant Treasurer and Assistant Gen". Sec. will be replaced by Club Liaison Officer, AU Ents Officer, and AU
Communications Officer. Constitutional details of this change are going to be posted by Amar a.s.a.p. and in order to put it forward to the Constitutional and Steering Committee, we need to pass it with a simple majority at an informal AGM, with a quorum of at least 40 members. This will be
done on Wednesday 26th Jan, in the Tuns about 8:00pm. That means loads of us will be there and I can use Karaoke Man's microphone to run the meeting. Any questions or points are welcome.
Finally, we are looking at the possibility of having a swanky
'Colours Ball' at a venue near here during week 9. Invitations will primarily be to those who earn their colours, plus a few lucky guests. Watch this space for further news...
FIGHTING WORDS FROM THE FIRSTS
Continued from Back Page
For those unfamiliar with the rules of the game, (viz. Matt 'you're going off on a stretcher' Stoate) attacking someone's knee-caps in the large rectangle surrounding the three white sticks usually results in a penalty. After the man in black realised his gross cock-up, Sutton stepped up to take the spot kick. Unfortunately, the ginger marvel went for power over placement and clouted it high and wide. Groundsman Brian was enraged to ^ learn that his ball was currently orbiting the planet Jupiter and nobody had tried to get it back.
It doesn't take Einstein to work out this defeat has not helped the struggle for survival. In an exclusive interview with the Beaver, Skipper Wright acknowledged the fierce pressure in the premier division; "The fact that there's now an extra team in there
means a good side will go down this year." he noted. With six games to go, relegation rivals, UCL could be the last fixture of the season. In preparation for this, the rude boy has contacted some of his old school posse members: midfield maestro Nadar et al, have started training with the team on Monday nights. This epitomises the fighting spirit that separates LSE football from the rest of the mob. (hurrah!!)
Contrary to the forturies of the first's, the third team are sitting pretty at the top of their league. This makes for an intriguing scenario: if the first's go down and the fella's third team achieve promotion, the top three LSE Xl's would be in the same division. With no love lost between any of these sides, the stage is set for all out Armageddon. Ladies and gentlemen, take your seats for the main event....
in the words of Yazz - the only way is up
eBeaversports
TheBeaver
Issue 512 - January 24th 2000 27
STOATE'S SEVENTH HEAVEN AS SILKY SKILLS PREVAIL
FOOTBALL
QMWSrd
LSE4th
Epstein admits his impotence in front of goal
The fourth team revived their flagging promotion campaign with a thorough thrashing of third place outfit QMWank to set them up for a mouth-watering clash with top of the table Kings on Wednesday. The first half saw LSE five goals up to the good with superb, flowing, fluid football which has become their trademark throughout this season, on this occasion no doubt helped by the absence of that midfield clown Ronnie t^ac Paxton, who was taking time out from his WankTank™ to spend some quality time on the lovely beaches at Sunderland. The game also saw Wogan break his barren streak which has extended since he began hosting the Eurovision Song Content. The journeyman striker, all hustle and bustle as usual, drew first blood after five minutes with a hysterically excecuted shot on the
turn which decieved the keeper into diving the wrong way. His second, soon after, was a calm, assured clinical finish from a Tommy C cross. By this time, the LSE quartet in the midfield was in full flow. Forget Platini and his pals, the running of Rabu and Ross, the tackling and quiet Efficiency once again of the excellent Alfie and the passing ability and forward support of the t\/larlboro Man (i.e. goalhanging) must surely serve as an example of textbook teamwork to the up and coming younger generation of footballers. And it was the lad Epstein who spanked a penalty past the keeper after Tommy had been hauled down in the box to give the lads a commanding three goal advantage. The best was still to come from the little man. Collecting a pass from the creative
Lightning strikes twice:
Epstein is incarcerated ag^n as the Hoiborn reception door's bigger br(xt]|er exacts revenge
Stoate claims that he had a cold but the real reason for his pisspoor performance was his granny shagging activities
FOURTHS CRASH AND
BURN IN HEATHROW HORROR
FOOTBALL 1 IC3rd-7 LSE4tii
Stoatie slags his side off.
Elvis, he turned the centreback inside out before despatching a left footed drive into the bottom corner. Tommy C added a fifth before Epstein, missing his midfield sidekick Paxton, attemped to emulate Will as the Clown Prince of LSE football by missing two simple tap ins and generally playing like 'a big steaming pile of horsepiss''^". The second half saw a more relaxed approach. Orson Wells decided it was time to go walkabout and leave Stoate on his own to transform from Gobshite to Dogshite at the back. Stoate claims that he had a cold but the real reason for his pisspoor performance was his grannyshagging activities. I say no more. I'm sure Heather is a lovely woman, and that your girlfriend doesn't mind. Still, with the ever reliable Milko at the back, and with Karly again showing off his great footballing technique, the lads were never in serious danger of letting this one slip away. The Antti Christ was called on twice to make good stops, but the advantage was soon extended through another Tommy C goal and a Chris Irwin tap in, leaving the fourths back in the promotion hunt.
Matt Stoate reports
LSE entered this game knowing a win here would see them go second in the table, however were left ruing missed chances come the final whistle.
With Si Wells not seeming to understand the word commitment, the matador that answers to the name Wogan was given a week off fucking things up in attack to be moved to where he could potentially do less damage at centre-back (like that'll ever get printed, huh. Sports ed.?). And how wrong we were. The first IC through-ball of the game, and a loud "Wogan's ball" resonated around the pitch. A well cultivated stomach was thrust out, but by some miracle of science a hole seemed to appear in that famous Wogan gut, allowing an IC fon/vard in who gave Antti no chance in a one-on-one.
Try as they might, LSE failed to break down a resolute IC defence. Epstein, with a clear shot on goal, somehow managed to scoop the ball over the IC crossbar, which was looming large over him. "Sorry, lads that's how Niall Quinn does it" was the only excuse he could muster. LSE were crying out for some creative genius, they needed a delicious 40 yard cross-field ball to dissect a massed IC defence. There was only one man who could provide such a crafted pass, but false modesty prevents me from revealing the identity of this skilled football Adonis, for fear of having him poached by Manchester United. With IC stunned by the quality of the assist, Tommy C. was left with a simple tap-in.
However, in the second half it all went wrong. As usual a great chance fell to the feet of Ronald MacDonald, but with his Think Tank training, he started to think long and hard about all the different options of how he could put this white, round object into that net right in front of him. As Paxton reached the Committee stage of his thought process, the IC defence played the ball, ran up to the other end and scored. Even a late, desperate ploy of launching Wogan up front in a desperate attempt to galvanise an equaliser failed as IC time wasted the last 20 minutes away. In short (no joke, Mike Marlboro Man: who says smoking stunts your growth???), it was not to be, but all the blame for the defeat must be ascribed to 3rd team ringer Mr. Chris Calamity Barnes. Why, I hear you ask? Well, I'm at the end of the report now and haven't taken the piss yet. He expects it, see.
Beaver
WE WILL FIGHT
THEM
-I-,. - y - .
ONTHE
UIL*
FIGHTING WORDS FROM THE FIRSTS
I
Troubled times have hit Houghton Street. Following the exodus of several key players including super Kev Sharpe, Gooders and..er... IGuiness last year, the first eleven have less points Ithan Norway in the 1980 Eurovision Song Contest. jClub captain Mandy, head of the cosa nostra that Is Ithe LSE football club, knew this season was going to jbe a battle: "Personally, I blame last season's players Ifor getting us into this mess. If they were truly Icommitted, they'd have failed last year for the sake of Ithe football team." proclaimed the guru of gob. Last [Saturday saw the lads clash with the bods from Jimperial College. Unfortunately, fuelled by sexual jfrustration, due to the lack of totty at IC, the loppositlon were 'well up for It'. Wright's army were Ion the receiving end of a beating of Geoff Boycott Iproportions. "I've not taken a spanking like that since Ivisiting 'Filthy Fiona's house of love' in downtown lAmsterdam" commented Don Mandraker after the 9-13 defeat. Captain 'Rude boy' Wright was forced to luse all sorts of gang warfare tactics to fire his team lup and do the business against art animals iGoldsmiths on Wednesday. 'Promoted' Pete Callis, Idefensive king pin for the. seconds, was drafted into Ithe side to stem the flow of goals. The team [displayed much promise throughout the game; Andy
Martin's non-stop running made the Duracell bunnyl look like Jimmy Saville. Fellow midfielder, Kylel 'Shaggy' Breegan was bombastic in domination ofl the air, the like of which has not been seen in the! skies over Berrylands since the Battle of Britain.I Angry Rob Allen and the irrepressible Mandy showed! more dedication than Roy Castle, the sort of stuffi needed for the oncoming relegation dogfight. Thel attack was lead by baby face Dean Taylor and! 'Strlngfellow' Sutton. Alas, lady luck displayed herl slag tendencies by flirting with the opposition! throughout the game. She played a large part in the| two goals the nonce's from New Cross managed to bang in. The ref was dodgier than a 23 pound note; this became obvious when he threw out the F.A.
handbook and decided to award a direct free-kick inside the area.
Continued P26
Alas, lady lucki displayed hen sluttish tendencies by\ flirting with the opposition throughout\ the game.
#r-